the verdant heart

pluck ingots of tears from my eyes
and polish them in the lake until they shine
in this green land i am shorn of my grief
and my heart is a moon-blooming flower.

here the notes of song from voice and chord
echo beyond the line of sea and sky
here they listen not only with their ears,
here the curve of a shoulder is grace.

inside a ring of trees i am held until my pulse
steadies and the moss grows over my feet.
atop a mountain of creased limestone,
i swear the horizon is closer than ever before.

i swim deeply immersed in an ancient tone
and you are with me and i am never alone.

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intravenously yours, me.

all i want is your love dripping into me like an iv–
people drive by my window, boxed into their little
cars, their big cars, worrying about the origins of
the universe, and hoping that dunkin donuts will
have that cheese bagel twist they want. these days
i think about all of the people i have loved and how
presumptuous it is of me to think i know love, love
in a closed fist, love in a bandage. some damage
the hospital can’t treat. the bonesetter simply looks
at me and sighs, the surgeon puts his gloves on.
even my veins shy away from your love. they get
out the saw, let the acid tabs dissolve. here it comes.

this one’s for the books

the interstate makes no promises. but this is new haven, and this is providence, and this is boston, and this is love. i wake up too early in the mornings in new jersey, an empty space at my back. shivering in the summer though my small windowless room beneath the stairs is quiet and cool. a profusion of dying flowers in the dining room. lilies are for death, my mother had said. then lilies are for all of life, i thought. the clockhand is a spindle i prick my finger on. come on, i’m waiting.

flinch

all i want is to meet the sea as an equal.
when the words don’t come, it’s time to
go hold my head under the water in the
bathtub, break another heart. such things
these days are locusts in my hair. i’ve
learned to flinch at the setting of the sun,
wondering if what they said about me
was true after all. i read my diagnosis again
and again. intense stormy interpersonal
relationships. can’t keep a friend to save
her life. often dates the people who sew
up her wounds. i put the paper down and
blot at my wrist. this kind of seepage was
meant for lovers less than 250 miles apart.
there is no truth other than what lies in my heart.

wintering

where were you when the light was gone,
after it had dropped like a stone below
the horizon of my body, that vanishing point
of myself where i was alone. a dip of tonal static
and you might hear my torn voice scratching
at the walls, don’t look at me, my face like
a broken windshield. you wintered in the eaves
of my heart but the spring drove you in search
of more hospitable dwellings. do not under-
estimate the malice of a picket fence when
it pierces your skin, where i fell with scabs
on my back and a dark twist of hair lamenting
its own length as you plucked ingots of tears
from my eyes, beautiful and worthless.

meditations in panama

i sit with my back straight out of habit
not learned from school, which didn’t
teach me much except how to fit an
entire sonnet on the toe of my converse
sneaker in sharpie, how to feint & dodge
and faint & be dislodged to finally settle
in my own ire. my knees have been giving
out on me lately, locking like a canal where
i could see myself rise and set in the same
day over and over again, an unearthly clock-
work bound by laws of science which
fascinated the both of us, but we could
spend our lives theorizing about quantum
existence and it wouldn’t really change
anything, not the way we fight or make
love or read about new developments in
technology, which still hasn’t gotten
anything right about love, and probably
never will.

unspeakable poems, iii.

i read the same forty books over and over

you didn’t understand how i could get so mired
in words, a fossilized sentence, an endgame
to a paragraph, complete unto itself.

sometimes i laughed and spit out a used word
used wrong, the same way i twist in my perdition,
all alone.

what i wanted were coals to walk on,
the edge of a pier to stand on,
empty air to try and reach across
to touch your face

some way to show you
how much i loved you

but

of baby’s breath, i want only the flower

unspeakable poems, ii.

i might have woken up
detached myself from you
like a shadow leaving an object
detached myself from feeling
and remembering what feeling
felt like

the rationale lacking

some secret voice inside me
reminding me

intense, stormy interpersonal relationships

my hips are not meant children
children crawling out of them
children tied to them
children clinging to them
staring up with wide eyes
staring up with nightmares in their eyes
the reflection of their mother in their eyes

i knew this wouldn’t work. you can’t get away
with having your point-five kids because someone
will eventually coming looking for the other half
and they’ll call DYFS when they find the mess

and what of you?
with a kiss, i could send you over the cusp
a whisper of breath to send you over the edge

there would be no coming back, you say.

we can never go back.

unspeakable poems, i.

we were feathers fused to bone

vaguery you had called poetry

it is these vague words that save me

were i to go insane
would i write more
would i think more
in the space between
the wax of my memory
and the heat of inquiry

did it really happen that way?

two people in a room.
an event occurs:
i slash at the air
and your wrists start to bleed
i slash at myself
and you hold me closer

let me speak plainly:
were it only for a vast stretch of bed
that needed to be filled by my body
besides yours,
i could have stayed forever to fill that space
that emptiness inside each of us
(respectively, of course).

i wake early
you draw me to you
i am drawn
stark stick figure

filtered pre-dawn
the moon is a cheshire smile
and i am unmade.

one truth: a fragment

if i am able to tell one truth about myself it is this:
i never felt more complete than when i was completing
you, never wanted anything more than to see joy
suffuse your being with its luminous truth. these pale
words tell only the story of a moon that drifts beneath
your skin, milky radiance. what do i know. i am a bumbling
idiot, skin like a crocodile and lips bee-stung and rouged

sharing secrets: a fragment

tonight i swim in a sea of diamonds
faceted images of pinpricked skin
the sound of the moon upon the window
wakes me, and i follow to the rooftop
and whisper secrets of old memories,
of calm seas and steady winds,
of things yet unspoken in the daylight hours,
of new love and greater beginnings.

hotel mirror

i am an asterisk on the bed, an aster just picked,
hovering over your shoulder with my hands full
of caveats–the truth is, it was never easier
to lie to myself than when i knew i was right
about how much i wanted to fabricate an alternative
to these days where i don’t belong to myself,
never wanted myself, and yet can’t imagine wanting
anything different. a cluster of stars in the pit
of my stomach that give me heartburn will eventually
die one day and then i’ll be sucked back into myself,
complete in my own vast emptiness. if only all of life
were just a matter of physics–my words just free-fall
back up into my mouth when i try to vomit them out
where the lightness of evisceration is not an illusion.

unearth the sky

unearth the sky

my blood
pink-tinged voluminous
atmospheric silence
rounded cataclysm of sound

volcanoes of cloud
buried in the virgin’s veil
pricked by starlight
slow migrations of rain

if it were not for the dew
or the contiguous sea and air
a birth of a horizon
a sundering of recollection

i do not remember before you,
only that the dew gathers at your earlobe
and the hummingbirds unfurl their tongues
for a taste

and i fold into the dusk
awake beside you
making and remaking whole worlds
silent as all of them.

finding the source

the weeks pass and i become convinced that my headaches stem
from the quartz crystal i have not cleansed that sits by my
headboard. i run it beneath water, let it catch the sun’s light,
bathe it in the light of the full moon, blow sharply over it
while brushing the tip with my thumb. the headache persists.
i then begin to think that it is caused by those endless hours
spent squirming beneath florescent lights, where i writhe and
twist to try and avoid the giant pin is trying to come down
and stick me in my abdomen so i will stay in place. i throw
out all my needles and call in sick to work but the pressure
inside my head only seems to be getting worse. surely it
must be the humidity, surely it must be the dry air–i vacuum
seal my head in a plastic bag but there is no relief. these
days i can’t tell it the pollutants are coming from outside
where i dug around in the banks of the river or from inside
(which might be more poisonous) or from the radiant glow
coming from my refrigerator. my head is on the verge of
exploding. i think of all the built up rot in my head from
years of watching television and falling prey to a perpetual
game of telephone inside my throat that takes what i mean
and morphs it into something so awkward and alien i can’t
even gather up the guts to say it’s mine. the relentless
gush of memory never stops, i have called the plumber and
they have given me the wrench, i have called the doctors
and they have given me the pills, but nothing seems to work.
and now i’m getting desperate. i want these cycling images
of you to stop. i want to forget the hugs that were always
too tight. you gripped me as though i were something that
might try to get away. i should have told you that i wanted
nothing more than just to stay. now my headache is blinding,
i can’t see your eyes, the color i never could catch because
you never looked me straight in the eyes long enough, not once.
so i pull the chain, listen to the whirr–this won’t hurt a bit.

what do field engineers know about love

goddamn field engineers get me every time–

his cheekbones are chiseled and his eyes darker, but there is still
the point where i want to tear him open to see if you are hiding inside,
underneath all that tanned skin and weekend insobriety. i don’t even
know what a field engineer does–only that you go to topeka or omaha
or some other place i only know because a favorite musician is from
there, that you prefer girls with dark hair but that mine is too dark,
that you prefer short thin girls and i was never thin enough–my body
dragged over itself despite the apparently nimble way i could pick
up a dozen library books on the floor in a minute, the way you showed
me how you far up you could jump down from the nonfiction staircase,
the way you turned me with your bright green cat eyes and how i could
swear that when i would see you last november that your english was
less accented and that somehow made me sad. i slept in a cold room next
to yours on a mattress covered with cat’s hair and wished i could at
least see your breath in the air like we were in russia, or cold like
i think russia is all the time. i thought about your lean, hairless chest
while you prepared smoke in a jar for us to share, how we can never go
back there. when the new guy speaks to me i jump in the air, clinging
to the florescent lighting, convinced i have seen a ghost. but ghosts
don’t stick around unless love has been lost, and how can we lose what
we never had?

mechanation

just before they finish assembling you they take a hammer to your heart
then seal it inside your chest. you grow up with perpetual palpitations.
the doctors tell you to take it easy but even when you are lying in bed
at night you can hear the faint creaking and groaning of a struggle waged
inside a cavity that might be better off empty than with oil leaking from
your arteries. the mechanic who fixes your car says you’re doomed. you
take the keys from him, heart pounding, and drive to the ocean though they
say the salt water causes rust. you think about removing it. you think
about how easy it would be, just have someone say a few words, a eulogy
for the already broken, and it would be over. his voice echoes in your head:
you were never good enough. you have a faulty heart, you protest, you can’t
do anything about it. you seek donors, but they aren’t really donors: they’re
just people you watch and mimic when they say things like, i love you. your
programming prevents you from saying these three monosyllabic words. romantic
movies are the best: you practice the words over and over again, i’ll never leave
you
and baby, come here. you say them in the mirror but your mouth moves too
slowly from the salt water rust. you touch your pie-tin face and your hands squeal
as they drop to your sides. you put a bowl of food out: silly humans, they have it so easy.

rummaging

the inquiries into the physics of your body
softer than collision, softer than impact,
softer than all things i had grown to know
as being a part of myself, like this living
of everydayness in split light, one brighter
than the other, but i couldn’t quite say
which one was which. you picked through me,
didn’t rummage, and i loved you for that.
carefully you laid out my origins
a barren petri-dish, film cut into squares
a block of nostalgia from which i was formed
so that i missed what i didn’t even know i
was missing. and then it was too late.
as a sapling i dreamed in black and white
and maybe even sometimes an emerald green
so vivid it almost hurt to look at it.
my hands, as it would be, weathered first,
and then my face, which you found lying
on the ground among the oak leaves
and picked up and kissed. we would count
stars in the viridian sky and the light
and darkness soothed my eyes like poultices,
like the bunch of rag and lavender you held
to my gaping heart. you never rummaged,
only held me in your hands with love so
bright beneath the dark that could not,
would not, take me from you.

love poem, pt. 57

in the wet light it is hard to distinguish between the aspen and the sycamore
my skin becomes mottled like the tree bark, hot to the touch as if summer sun
shone upon it–i remember afternoons in the chess garden, where someone had written
on the black and white tile, the incense stick lodged between the paving stones–
all becomes light and air when i think of the trees reaching, bare-branching, into
the sky, and how we mimicked them with our bodies, stretch-stretching to the side,
first to the right, then to the left. we made our own language, made our own world,
laureled our own deities that had the faces of tree knots and a bunch of three
hibiscus flowers that you so lovingly tended. i sat in the passenger seat of your
car lulled to sleepiness by the movement of the car, the way my mother used to
drive me around the block when i was a child until i finally fell asleep, finally
slipping off the precipice of consciousness to land pillow-soft among the birch
branches. now i stand beneath a circle of sky and feel you in the migrations of
birds, the falling of leaves, the snow edging the evergreens, the knowledge that
even the trees do not live life passively. and the pinpricks of light in the canvas
of night shine for us as we rise to meet them.

of light and darkness

where were you when the light finally faded:
i was an afterimage of a firework in the sky
a string of bokeh lights, which are beautiful
because of the very fact that they are out of focus
and i teeter on the edge of a blurred curve,
a blue and white city skyline seen through
a glass of water. these filaments of loneliness
thread through the air where the light never hits,
and when i speak of these things that wake me
too early in the pre-dawn, my words are orbs of
light, fuzzy-edged, describing the intangible,
things that balk at illumination and leave me
flattened to the earth as a shadow that is still
inextricably linked to the light, that cannot exist
without the light. and i would meet you in these
dark places with hands full of ash, just to wake
with you and cup the sunrise over your sleeping
body till you ignite, so that i might exist as
nothing more than an outline on the wall.